The Lie Detectors: The History of an American Obsession
by Ken Alder
University of Nebraska Press designer Joel Gehringer kindly agreed to share some thoughts on designing this cover:
Is there anything in particular you'd like to share about this design?
by Ken Alder
University of Nebraska Press designer Joel Gehringer kindly agreed to share some thoughts on designing this cover:
Is there anything in particular you'd like to share about this design?
I have to give a lot of credit to the editors on the design for "The Lie Detectors." After we had tried a number of different concepts, they decided they wanted something evoking the Dick Tracy-esque, pop-art feel of the 1950s, and the paranoia of the era, which plays a big role in the lie detector's history. In that sense, they started me down the path for this one.Where did you find the images you used?
I went searching for something I thought would fit these concepts and came along some great art at one of our photo services. The artist had a number of fairly basic comic book panels that weren't too exciting on their own - expressions, detectives, cars, faces, that kind of stuff.How did you arrive at the decision to crop them the way you did?
I realized that with the right framing I could make those images a little more dramatic and get at that nervous paranoia. I think the idea that you can't see the whole face of the man at the top forces the imagination to churn a bit (I added the lie detector devices on the fingers, so now I tend to imagine he's getting nervous because of some tough questions). On the bottom, I cropped a fairly plain image of a smiling detective with a magnifying glass to make him into a more ominous, dangerous-looking figure, maybe an interrogator of some sort. The angles just add to the uneveness, making it less orderly and thus more dramatic.
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