Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Wednesday, August 16, 2023

Publishing Resources: Books

I recently started a publishing lending library at UNP. I'm including fiction about publishing as well as nonfiction about the publishing industry. Here are the books I have so far along with their publishers' descriptions:

Permissions, A Survival Guide by Susan M. Bielstein

If a picture is worth a thousand words, then it’s a good bet that at least half of those words relate to the picture’s copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, on a white—not a high—horse, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. 

Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists’ estates in languages she doesn’t speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain. 

Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable.


Under the Cover: The Creation, Production, and Reception of a Novel by Clayton Childress

Under the Cover follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Nixon’s in the postbellum South.

Clayton Childress takes you behind the scenes to examine how Jarrettsville was shepherded across three interdependent fields—authoring, publishing, and reading—and how it was transformed by its journey. Along the way, he covers all aspects of the life of a book, including the author’s creative process, the role of the literary agent, how editors decide which books to acquire, how publishers build lists and distinguish themselves from other publishers, how they sell a book to stores and publicize it, and how authors choose their next projects. Childress looks at how books get selected for the front tables in bookstores, why reviewers and readers can draw such different meanings from the same novel, and how book groups across the country make sense of a novel and what it means to them.

Drawing on original survey data, in-depth interviews, and groundbreaking ethnographic fieldwork, Under the Cover reveals how decisions are made, inequalities are reproduced, and novels are built to travel in the creation, production, and consumption of culture.


Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America by Korey Garibaldi

In Impermanent Blackness, Korey Garibaldi explores interracial collaborations in American commercial publishing—authors, agents, and publishers who forged partnerships across racial lines—from the 1910s to the 1960s. Garibaldi shows how aspiring and established Black authors and editors worked closely with white interlocutors to achieve publishing success, often challenging stereotypes and advancing racial pluralism in the process.

Impermanent Blackness explores the complex nature of this almost-forgotten period of interracial publishing by examining key developments, including the mainstream success of African American authors in the 1930s and 1940s, the emergence of multiracial children’s literature, postwar tensions between supporters of racial cosmopolitanism and of “Negro literature,” and the impact of the Civil Rights and Black Power movements on the legacy of interracial literary culture.

By the end of the 1960s, some literary figures once celebrated for pushing the boundaries of what Black writing could be, including the anthologist 
W. S.Braithwaite, the bestselling novelist Frank Yerby, the memoirist Juanita Harrison, and others, were forgotten or criticized as too white. And yet, Garibaldi argues, these figures—at once dreamers and pragmatists—have much to teach us about building an inclusive society. Revisiting their work from a contemporary perspective, Garibaldi breaks new ground in the cultural history of race in the United States.



 

A Career in Books by Kate Gavino

A Career in Books is a graphic novel for everyone who’s wanted to “work with books” and had NO idea what it entailed. It’s for those who were taken aback by that first paycheck. It’s for those who wanted a literary career even in the face of systemic racism, who dealt with the unique challenges of coming from an immigrant family, and whose group chat is their lifeline.

Shirin, Nina, and Silvia have just gotten their first jobs in publishing, at a University Press, a traditional publisher, and a trust-fund kid’s “indie” publisher, respectively. And it’s . . . great? ¯\_(ツ)_/¯ They know they’re paying their dues and the challenges they meet (Shirin’s boss just assumes she knows Cantonese, Nina cannot get promoted by sheer force of will, and Silvia has to deal with daily microaggressions) are just part of “a career in books.” When they meet their elderly neighbor, Veronica Vo, and discover she’s a Booker Prize winner dubbed the “Tampax Tolstoy” by the press, each woman finds a thread of inspiration from Veronica’s life to carry on her own path. And the result is full of twists and revelations that surprise not only the reader but the women themselves.

Charming, wry, and with fantastic black-and-white illustrations, A Career in Books is a modern ode to Rona Jaffe’s The Best of Everything, and perfect for fans of Good Talk, Younger, and The Bold Type, as readers chart the paths of three Asian-American women trying to break through the world of books with hilarious, incisive, and heartbreaking results.




Last Night’s Reading: Illustrated Encounters with Extraordinary Authors by Kate Gavino


An irresistible illustrated collection of charming, wise, and hilarious quotations from your favorite authors

Why do we go to book readings? For a chance to see the authors we love come to life off the page, answering our questions and proving to be the brilliant, witty people we catch glimpses of through their work. Illustrator Kate Gavino (author of Sanpaku) captures the wonder of this experience firsthand. At every reading she attends, Kate hand-letters the event’s most memorable quote alongside a charming portrait of the author. In Last Night’s Reading, Kate takes us on her journey through the literary world, sharing illustrated insight from more than one hundred of today’s greatest writers—including Zadie Smith, Junot Diaz, Lev Grossman, Elizabeth Gilbert, and many more—on topics ranging from friendship and humor to creativity and identity. A celebration of authors, reading, and bookstores, this delightful collection is an advice book like no other and a love letter to the joy of seeing your favorite author up close and personal.




Yellowface by R. F. Kuang


White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the book she claims she wrote, and she is most certainly not Asian American—in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel. 


Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.

 

So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.

 

So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.

 

But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

 

With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable. 




What We Talk about When We Talk about Books: The History and Future of Readingby Leah Price


Reports of the death of reading are greatly exaggerated


Do you worry that you've lost patience for anything longer than a tweet? If so, you're not alone. Digital-age pundits warn that as our appetite for books dwindles, so too do the virtues in which printed, bound objects once trained us: the willpower to focus on a sustained argument, the curiosity to look beyond the day's news, the willingness to be alone.The shelves of the world's great libraries, though, tell a more complicated story. Examining the wear and tear on the books that they contain, English professor Leah Price finds scant evidence that a golden age of reading ever existed. From the dawn of mass literacy to the invention of the paperback, most readers already skimmed and multitasked. Print-era doctors even forbade the very same silent absorption now recommended as a cure for electronic addictions.The evidence that books are dying proves even scarcer. In encounters with librarians, booksellers and activists who are reinventing old ways of reading, Price offers fresh hope to bibliophiles and literature lovers alike.



So You Want to Publish a Book? by Anne Trubek

This slim but insightful guide offers concrete, witty advice and information to authors, prospective authors, and those curious about the publishing industry’s inner workings. The chapters are chock full of important advice and information, including:

 - How advances and royalties really work 
 - The surprising methods that actually move books off the shelves
 - The art of pitching to agents 
 - The differences between Big Five and independent presses
 - The ins and outs of distribution, direct sales, and selling through Amazon.

Written by an industry veteran who’s been on both the writing and publishing side, So You Want to Publish a Book? is a refreshing, no-nonsense, and transparent guide to how books get made and sold.

For readers and writers looking for a straightforward guide for publishing, promoting, and selling their work.

Friday, November 29, 2013

SPEAKING FROM AMONG THE BONES: A Flavia de Luce Novel by Alan Bradley


"When they finally saw the light, I might even become something of a village heroine, with banquets, etc. held in my honor, with after-dinner speeches by Father, the vicar, the bishop, and, yes, perhaps even by Magistrate Ridley-Smith himself, thanking me for my dogged persistence, and so forth.
     I believe Daffy referred to such an extravagant outpouring of praise as an encomium, and I realized that I had not been given an encomium for a very long while."

----------

"Neither of us spoke a word and we didn’t need to. We stood there clinging to each other like squids, damp, quivering, and unhappy."

DON'T GET TOO COMFORTABLE by David Rakoff


"It is not the fault of South Beach that I am a joy-obliterating erotophobe. That it comprises some of my deepest aversions (heat, direct sunlight, and a pervasive sense of fun) while lacking many of my most cherished requirements in a destination (occasional rain, the generally suppressive influence of the superego, and a melancholic populace prone to making monochrome woodcuts of hollow-eyed women sitting disconsolate in shabby rooms with their meager suppers on tin plates before them) is nobody's problem but my own. And it's a problem that I will have to keep to myself this weekend as I work the pool at one of Miami's hiply refurbished art deco hotels—the Hiawatha, let's call it."

Thursday, May 5, 2011

I'm gonna sleep with this under my pillow

Lookee! I had a conversation (well, a Twitter conversation) with Mary Roach! I don't have anything else to say about it. Just wanted to make sure that I kept some proof that it happened.

Sunday, January 2, 2011

So Cold the Winter in Nebraska, I mean the River


Author: Michael Kortya
Title: So Cold the River
Publisher: Little, Brown and Company; 1 edition (June 9, 2010)
Format: Kindle Edition
ASIN: B0035IIBUA

A good twisty story that connects a creepy story from the past with current characters through the paranormal. You will find ESP, possession, and ghosts. The characters are vivid and I liked the main guy a lot. I thought I could tell a bit where things were going, but I liked the trip; there are great descriptions of architecture and setting. There's a nicely drawn older female character. The main guy, a failed movie maker whose marriage is on the rocks, is likeable, too. I thought this was scary enough to be unsettling but not so violent or gross as to be off-putting. A memorable read; I will track down more of this guy's books.

Monday, November 29, 2010

Lee Child, Worth Dying For



Author: Lee Child
Title: Worth Dying For
Publisher/format: Delacorte Press, cloth
ISBN: 978-0385344319

I really respect Lee Child for not churning out identical Reacher books each year. This author has taken care to develop his character in interesting ways, and he has also taken him through various psychological twists and turns. The penultimate Reacher book, 61 Hours, ended with a cliffhanger that I wasn't expecting; also, it featured a more broken, uncertain Reacher, and fabulous descriptions of a barren South Dakota winter. Child has stayed in the middle of the country for Worth Dying For: here, he places Reacher in a rural, agricultural area of Nebraska--not near the larger cities of Lincoln/Omaha but somewhere in the west (but not, I think, the Sandhills, because the main occupation of the people is farming).

Child does a great job with the NE landscape, its wideness, starkness, and flatness, and he describes a certain kind of Nebraska woman--older, strong, no-nonsense, modest, conscientious, full of integrity, reserved--perfectly. He describes many of the rest of his Nebraskans as quiet, fairly passive go-along-with-the-flow sorts. (Many Nebraskans do seem this way to others, but I believe that the truth is that once you find the part in the flow that they refuse to go along with [which does, in fact, exist, but which they will not tell you about until you accidentally stumble onto it], they will be shockingly stubborn and unmovable.) Even the Nebraskan evildoers in this book have a certain amount of integrity and civility despite their psychopathic, horrid selves. The culture of civility and refusing to make waves is important in NE, but as I hinted before, not everyone here is as passive as the folks in Reacher's town.

Also suffering from this passivity, sort of, are the ten Cornhusker (I think ten) football players Reacher beats up at one time or another in the course of the book. This is very amusing in some ways, but these could not have been Blackshirts. Note that Child is careful to call them "Cornhuskers," and that the trademarked name for the team is "Huskers." He did not want to run afoul of UNL/trademarking/etc.etc., I bet (or his publisher did not want him to).

Anyway, this book is interesting in that it's kind of humorous in an Elmore Leonard sort of a way--criminals and Reacher showing up at the same time and same place without realizing it; comic timing and quick cuts, etc.etc. The nature of the evildoers is kept uncertain until late on. It is very, very horrible what they are doing--which is pretty shocking to the reader because you've been set up, so to speak, by the Elmore Leonard-type timing/humor, and it kind of falls away very quickly into horribleness. There's something of a revenge scene at the end that shocked me a bit in that it has a civilian being Reacher-like.

Reacher is especially hard and distant and killer-like in this one--scary again, despite the fact that he begins the book injured and presumably psychologically battered. Not much is mentioned about the unresolved cliffhanger from 61 Hours; Child is in no hurry to tell us what happened, and when he does, it's almost off-handedly. This I liked.

Anyway, this was a very satisfactory installment in the Reacher series, and I liked it a lot. My big problem is this: there was no shopping expedition for Reacher. I don't care that there are no stores in the middle of the country. I really, really missed the shopping, and I hope he will get back to it. Those are absolutely my favorite parts of the books.

Thursday, November 11, 2010

The first two books in the bibliophile series by Kate Carlisle

Bibliophile series #1
Ebook (B&N)
9781440687655
Penguin

Rating (on a scale of 1-5, with 5 being best)
Plot: 4
Characters: 3.5
Writing: 3.5
Final: 3.66

Comments: Extra points were given to the plot category for setting the series in the world of book restoration. This series reminds me of Evanovich's Stephanie Plum mystery series. It's pretty goofy, but not quite as over-the-top ridiculous. It helps that the main character is actually good at her job.

Publisher's description
The streets of San Francisco would be lined with hardcovers if rare book expert Brooklyn Wainwright had her way. And her mentor wouldn’t be lying in a pool of his own blood on the eve of a celebration for his latest book restoration. With his final breath he leaves Brooklyn a cryptic message, and gives her a priceless—and supposedly cursed—copy of Goethe’s Faust for safekeeping. Brooklyn suddenly finds herself accused of murder and theft, thanks to the humorless—but attractive—British security officer who finds her kneeling over the body. Now she has to read the clues left behind by her mentor if she is going to restore justice . . .

If Books Could Kill
Bibliophile series #2
by Kate Carlisle
Ebook (B&N)
9781101184707
Penguin

Rating (on a scale of 1-5, with 5 being best)
Plot: 4
Characters: 3.5
Writing: 3.5
Final: 3.66

Comments: I'd love to see even more about book restoration. I hope that Carlisle doesn't let that part fade away as result of Brooklyn's improved financial circumstances. I'm finding the number of very attractive men she encounters ridiculous almost to the point of distraction. I think we have enough in there to keep her busy for a while. Please don't add any more.

Publisher's description
Murder is easy-on paper. Book restoration expert Brooklyn Wainwright is attending the world-renowned Book Fair when her ex Kyle shows up with a bombshell. He has an original copy of a scandalous text that could change history and humiliate the beloved British monarchy. When Kyle turns up dead, the police are convinced Brooklyn's the culprit. But with an entire convention of suspects, Brooklyn's conducting her own investigation to find out if the motive for murder was a 200-year-old secret—or something much more personal.

Tuesday, November 9, 2010

This is how far behind I am

Sadly, I think I'm even missing some.


Books That Need to be Reviewed

Title (series, if applicable) Author


Monday, November 8, 2010

Inklings cartoonist will be in #LNK Wednesday 11/10/10

When Jeffrey Koterba was six, he started drawing his first cartoons, painstakingly copying from the Sunday Omaha World Herald’s funny papers and making up his own characters. With a pen and a sheet of white paper, he was able to escape into a clean, expansive, and comfortable refuge from the pandemonium surrounding him. The tiny house Koterba grew up in was full-to-bursting with garage-sale treasures and televisions his father repaired and sold for extra money. A hard-drinking one-time jazz drummer, whose big dreams never seemed to come true, Koterba’s father was subject to violent facial tics, symptoms of Tourettes Syndrome, a condition Jeffrey inherited. From the canyons of broken electronics, the lightning strikes, screaming matches, and discouragements great and small, emerged a young man determined to follow his creative spirit. Inklings is an exuberant heart-felt memoir infused with an irresistible optimism all it’s own.
You can see some of Koterba's favorite cartoons, read his blog, and more at his website. He'll be at the University Bookstore on Nov. 10 at 7:00 p.m. for a reading and signing.

Wednesday, September 1, 2010

Laura Lippman on Craig Ferguson's show

She and Craig talk about their "bad urges." I can't wait to get her new book (can't believe I don't already have it). Should I get a print copy or ebook? I'm leaning toward the hardcover. I hope I like the jacket.

Friday, August 27, 2010

True Story, by Michael Finkel



Title True Story: Murder, Memoir, Mea Culpa
Author: Michael Finkel
Publisher: HarperCollins, 2005; HarperPerennial
ISBN: 0-06-058047-X (cloth copy I read, from the library); PB copy available now 978-0060580483


Michael Finkel was a writer for the New York Times magazine until he submitted a story about a main character he'd assembled from a composite of people (and did not tell the magazine that that's what he was doing). He was found out and then lost his job with the magazine.

Christian Longo was a guy with a wife and three kids; they were devout Jehovah's Witnesses. When he faced financial problems, Longo engaged in a series of crimes (check counterfeiting, theft) that made his life more and more complicated and unhappy--and he ended up murdering his wife and children. Following the murders, he went on the lam to Cancun, Mexico, where he decided to impersonate Michael Finkel. (He didn't know Finkel had lost his job; he was pretending to be a reporter/writer.) When Finkel, newly fired, found out about the story, he decided to write about it and to get to know Longo.

On some levels, True Story is about the commitment to "going straight" or "telling the truth." Finkel scrupulously establishes that he is verifying every fact he can. For his part, Longo insists (repeatedly, extravagantly, which is a sign in itself) on "absolute truth" in his interactions with Finkel. (We learn that throughout his life, Longo has had several "come clean" moments with his church and family where he promises always to tell the truth from that moment on--even though he never does.)

Of course both men still end up lying--as do we all (in varying degrees). This is because life is complex; because truth can be complex (often, contradictory emotional truths can exist, each with validity); and because the act of narrating/writing is always on some level going to be kind of a lie (when you put something into narrative, you retell it and reframe it; you exclude things that do not fit, etc.etc.; in so doing, you have altered it; narrative theory graduate school etc. blah). Another thing to consider is that human relationships might not always benefit from statements of unvarnished truth.

Anyway, the institutions Longo and Finkel are embroiled in--the profession of journalism; religion in the form of the Jehovah's Witness church; the legal system/courts--all devote themselves to establishing absolute truth for the record, whether spiritual or public (and then delivering final judgments such as guilty or innocent; headed to heaven or headed to hell). True Story reveals that these institutions (and the enterprise of storytelling/writing in toto) cannot completely or accurately comprehend the complexity of the situations that the people they are judging must face.

Longo and Finkel have already been judged in public and received a label: "disgraced" journalist; murderer. The reality of their stories as Finkel presents it in his book is more complicated, less understandable. Moreover, as the book progresses, it becomes even less reliable: throughout the narrative, Finkel obsesses about Longo's tendency to lie, and is warned by many others about being "taken in"; and Finkel himself ends up lying to Longo (though he does confess). We just don't know what the final truth is, absolutely. To make sense of the world, in all our judgements and acts of writing, we must siphon selected items from the overwhelming, unknowable field of reality. Always, something is left out. Always, something is canceled out or repudiated--even though its opposite might also hold true. Sometimes we leave things out because of self-interest or greed, but sometimes it's because of fear or genuine lack of comprehension/scope of vision. Sometime we think we're telling a better version of something even if it isn't strictly true. There's no way, ever, to tell it all.

In the end, then, this book must of course frustrate, since what it shows us is that the truth of any story, any crime, is ultimately too complex to be sewn up neatly, even though in our courts and moral/ethical decisions we must, nonetheless, make judgments about what we can establish to be true. It's a losing battle, I guess, one that always leaves one feeling unsettled and unfinished. However, on the "upside" (that is one revolting word, no?), that lack of fulfilment is precisely what produces language, narrative, and art, so we must also be glad for it--or at least able to admit to ourselves that it exists, even if it does not bring happy or simple narrative closure.


Strengths: weirdness of the two men's relationship as it develops, the fondness that grows between them

Weaknesses: Finkel could've done more with his own crime here. He "murdered," or at least erased, a real person in his false story; wanted to hear more about his response to that. Also, he tells us that on the day he sees the pix of the Longo's dead family (in Longo's trial), that is the end of their friendship--but he continues to engage with Longo and I'd liked to have seen more reflection on this point.

Monday, August 2, 2010

Abandoned Books

I guess I'm a bit of a masochist. Writing this post makes me feel horrible—I feel guilty because these books don't deserve to be abandoned and also embarrassed because in the time that I didn't finish The Wordy Shipmates I did manage to read the entire Jesse Stone series. On the other hand, I'm really enjoying putting this post together—I like revisiting my lists of books and thinking about how I feel about each title. (By the way, Beth wrote a similar post a while back.)

I'm fighting the urge to explain too much but talking about why I didn't finish these makes me feel mean. I hope that you understand that just because I didn't like these doesn't mean you won't. And feel free to let me know how wrong you think I am.

Here are the books that I've truly abandoned:
The Little Book by Selden Edwards*. I picked it up last week, read a while and it just isn't for me. It didn't grab me or particularly interest me and there are too many other books that I know I want to read. It's also possible that the ridiculously gushy blurbs had an adverse affect (that happens to me sometimes).

Little Women by Louisa May Alcott. I know, I know. This probably makes me a bad person but I completely lost interest after whatsername died.

Shades of Grey: The Road to High Saffron (Shades of Grey, #1) by Jasper Fforde. I'm still kind of mad about this one. I love Jasper Fforde. I wish he'd keep writing books about books.

The Singularity Is Near: When Humans Transcend Biology by Ray Kurzweil. I don't know what I was thinking with this one. Here's the description:
The Singularity is an era in which our intelligence will become increasingly nonbiological and trillions of times more powerful than it is today—the dawning of a new civilization that will enable us to transcend our biological limitations and amplify our creativity. 
Oh my god so boring. Speculation about the future, no matter how well-supported, is almost never something I want to read about. Note to self: stick to science books by Mary Roach or on a creepy topic (preferably both!).

The Wordy Shipmates by Sarah Vowel. This one is just temporarily abandoned. I honestly think I'll get back to it, I just need to be in the right mood.

I haven't "finished" these and I'm not exactly still reading them but I like them and I'll probably dip into them periodically:
Crucial Conversations: Tools for Talking When Stakes are High by Kerry Patterson
Linchpin: Are You Indispensable? by Seth Godin

*This was an unsolicited free advance copy from the publisher. I received it as part of a program where publishers send advances to staff at other publishing houses.

Saturday, July 31, 2010

(Mostly) Bookish Links for July 25 - 31, 2010



    Monday, July 26, 2010

    The Passage by Justin Cronin


    The Passage
    by Justin Cronin
    Ebook (B&N)
    978-0-345-51686-2
    Ballantine Books / Random House

    Rating (on a scale of 1-5, with 5 being best)
    Plot: 4.5
    Characters: 3.5
    Writing: 4
    Final: 4
           
    Comments: I bought this on a whim, and I can't remember which tweet or blog post piqued my interest. I'd seen a lot of both regarding this book, but one in particular pushed me over the edge and got me to buy it. I knew very little about it and I had no idea how long it was. To be honest, I don't know if I would have ended up buying it as a print book. I would have known right off the bat how long it was, and that can sometimes kill a whim. Most distressingly, I didn't know it was the first of a trilogy! I got to the end and thought "Huh. Either I really missed something or that was a pretty vague way to end that." (Obviously, I am a genius.)

    I really enjoyed the story--it was suspenseful and creepy. Way too long, though. I can't believe there are two more whole books coming: on the one hand, like the idea of getting back into this world; on the other, I just think "Ugh. 800 more pages?"


    See also the review by Bibliolatry: The long, mostly interesting (but very long) passage.

    Publisher's description
    “It happened fast. Thirty-two minutes for one world to die, another to be born.”
    First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear—of darkness, of death, of a fate far worse.
    As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he’s done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey—spanning miles and decades—towards the time and place where she must finish what should never have begun.

    Saturday, July 24, 2010

    Tuesday, July 20, 2010

    Dr. Weil



    Title: Healthy Aging: A Lifelong Guide to Your Physical and Spiritual Well-Being Unabridged version
    Author/Narrator: Andrew Weil, M.D. Read by the author.
    Publisher: Books on Tape, 2006
    Format: MP3 audiobook (Also available in an abridged version, and in print)
    ISBN: 0-7393-1599-4

    You know you've made the big-time as a public health figure when you're known as "Dr. X" (like Dr. Spock)--no first names necessary, thank you very much; it's the inverse, doctorish version of Cher and Madonna, I guess. Because Dr. [Andrew] Weil advocates integrative or holistic health, he is perhaps not yet as widely trusted as Dr. Spock was, but I believe that if it is not yet here, that time is coming.

    The integrative approach to health, as I understand it from reading Weil (and also Alice Domar's books), views health or well-being as the result of one's status in many areas: physical fitness is important, but so are sprituality, nutrition, exercise, and psychology. For Weil specifically (see link to book at end of post), the goal of being healthy/in optimum health is to gird the immune system, to make it as powerful as possible so that the body can fight disease on its own. This is the best, most effective way to heal. Modern medicine can step in when it is needed, but it's better to need it as seldom as possible.

    Therefore, instead of reflexively reaching for Advil (but doing nothing else) to cure frequent headaches, the integrative approach to health would ask that you instead consider the problem in a wider context--physical, emotional, nutritional, and spiritual--to see if there are ways you can alter your practices in these areas to stave off the headaches to begin with. The goal is to strengthen the body's own defenses overall so the immune system can take care of many problems on its own. I really like the idea of acknoweldging the effects of psychology, spirituality, and interpersonal relationships on health, and it seems logical to focus on strengthening the immune system to forestall problems.


    In Healthy Aging, Dr. Weil criticizes the excesses/harm caused by the recent antiaging trend (often pseudoscientific) of searching for treatments that deny, reverse, or outright halt the signs of aging; instead, he advocates an integrative approach to growing older that aims at "compressing" morbidity. This basically means living well and then dying fast: having an active old age without significant debilitation until one's last few years (months?), when the end comes. If suffering and major illness are limited for the most part to the end of the lifespan, then one can experience the positive aspects (wisdom, depth, perspective, reflectiveness, etc.) of growing older without being overwhelmed or immobilized by pain or chronic suffering.

    In addition to questioning the usefulness of the desire to halt or eradicate aging entirely, Dr. Weil also discusses the positive aspects of growing older, looking at aging as an enriching, deepening process. He considers the aging of whiskey, wine, and cheese as positive examples. Rot and decay are involved in these processes, to be sure, but they can produce positive results, such as enhanced, complex flavor and depth of taste. Weil wants us to view the effects of human aging in similar fashion. Denial of aging is not useful; nor is pretending that one will not die or ignoring the process and effects of bodily decline that we all experience. To live openly and straightforwardly with the process--physically, spiritually, and emotionally--and accept both the gifts it offers and the costs it exacts is ultimately more rewarding, says Dr. Weil. I agree.

    A note on the audiobook: it's read by Dr. Weil himself. When an author reads his/her own work, it's often illuminating in terms of tone, inflection, interpretation. For me, sadly, Dr. Weil was not the most effective narrator of his own book. He reads as if delivering a paper at an academic conference: rather dry, sometimes hurried, distant, and he pounces on "QUOTE" . . . "END QUOTE." At least he does not say "unquote," as some do. His voice can seem flat at times, a bit monotone, though it is possible to tell when his enthusiasm/intensity level raises. I think this text would've been better served by a professional reader, someone more skilled at using tone/modulation/expressiveness to retain reader interest. To listen to Dr. Weil read a URL aloud is a somewhat unpleasant experience. That said, however, no one's beard (see cover pix) is cuter than Dr. Weil's.

    Weil explains his theory of integrative health and the act of strengthening the immune system in many books; the one I've got is:

    Title: Eight Weeks to Optimum Health, New edition, expanded and updated
    Author: Andrew Weil, M.D.
    Publisher: Ballantine (orig. 1996; rev. ed. 2006)
    Format: Trade paper
    ISBN: 978-0-345-49802-1



    A final note. It's expensive to be healthy. Organic foods cost more; vitamins can really add up (my own personal vitamin recommendation over at Dr. Weil's site would cost over a hundred dollars a month); and it is time consuming to prepare whole foods. Is this an approach to eating that can be adopted by busy people without much money? Will it appeal to more than the worried wealthy (or merely well-off) well? I hope so.

    Saturday, July 17, 2010

    Link Roundup for July 11 - 17, 2010

    Here are the best (mostly book-related) things I saw on the interwebs this week:

    Monday, June 28, 2010

    Help! Do any of the book community sites have an iPad app?

    I don't find the iPad app store very easy to browse--for one thing, they don't list enough apps per page so you're forced to keep paging through the list rather than just scrolling down. I've tried searching specifically for the sites I know of, but haven't had any luck. I typically use Goodreads but they don't appear to have an iPad app (just iPhone/iPod). I also couldn't find an app for LibraryThing. Are there any I'm forgetting?

    Wednesday, May 12, 2010

    Book review: Stuff

    Title: Stuff: Compulsive Hoarding and the Meaning of Things
    Authors: Randy Frost and Gail Steketee
    Publisher: Houghton Mifflin Harcourt
    ISBN: 978-0151014231
    ASIN (for Kindle version): B003JAO0QI

    Stuff treats compulsive hoarding and hoarders with integrity, giving them earnest, honest intellectual attention in an effort to understand how they see the world and feel about themselves. The authors spend time listening to hoarders, investigating their problems, seeing how they interpret the world, following their case studies--and, finally, treating them. The authors want to help people stop compulsive hoarding because it makes them (and those around them) miserable--but through it all, they continue to approach their patients with respect and compassion, not scorn. They even at some times propose that hoarders have a special and almost artistic vision of the world, that hoarders relate to color, for example, or combinations/arrangements of things in a different (and perhaps more artistic) way than the rest of us.

    Clearly, hoarding is a topic of fascination for the authors, but this is a sustained intellectual fascination with the goal of helping the hoarders to be happier. The hoarders are offered the tools to free themselves of the clutter that may be harming their lives--if they want it. It's pointed out several time that forced cleanups and treatment tend not to work with hoarders. Anyway, I loved the approach and tone of this book's authors.

    Stuff is a good antidote to our culture's (and my own) obsession with reality TV about hoarding and messiness. Like I said, it treats hoarders as individuals who matter in themselves. It is geared toward increasing their happiness and ability to function in the world. In reading this book, I got to think a lot about my own relationship to things and objects, and it has been very illuminating. Most of all, I think I realized that if one makes hoarders (or other reality show TV subjects) into objects, whether of scorn, fascination, or humor, instead of trying to see the complexity of their lives, then we are denying them the full range of respect we owe them as humans. Which, perhaps, they have already given up by choosing to be on reality tv. Who knows. It is still sometimes very hard not to get sucked in.

    From the amazon page on Frost's book--links to photos that demonstrate levels of hoarding (from Amazon.com). What kills me about these is the language used for level of severity. We have small, mild, serious, severe, severe with impairment (really, very severe!!), and extreme (superhorribly awful severe!). For most people, once a certain level of severe is reached, they all look the same, more or less, but I get why the authors and researchers have wanted to classify/quantify this stuff. However, I hope extreme hoarding will never qualify as a sport in a future X Games.

    Only a small amount of clutter
    A mild hoarding problem
    A very serious hoarding problem
    A severe hoarding problem with substantial impairment
    A very severe hoarding problem with substantial impairment
    Extreme hoarding