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From what I've heard, the plan is to issue numbers to customers as they arrive and the number will correspond to a seat. I'd suggest getting there early!
. . . And that’s the reason why we’re here, isn’t it. Because editors and publishers know how to make choices. Of course different editors will make different choices, but there still remains that responsibility for the acquisition, subjective as it may be, and the care of the manuscript. There is monitoring for quality. And ultimately, there is the accumulation of a house’s taste—call it cultural heritage—through backlist.In addition, The Wide Open: Prose, Poetry, and Photographs of the Prairie, edited by Annick Smith and Susan O'Connor, won the Gold Award in the anthology category; and Good Neighbors, Bad Times: Echoes of My Father's German Village, by Mimi Schwartz, won the Bronze Award in the autobiography and memoir category.
This is where independent publishers can and do differ from the conglomerates. When an independent chooses to publish an author, it’s because they truly believe that the author’s work contributes to the press’s “cultural heritage.” Independents don’t have the luxury of throwing authors up against walls to see what will stick.
Luxury is probably—is definitely—the wrong word. It isn’t luxury to publish thousands of titles a year, It’s glut. It’s flood. It’s content chaos. It’s what editors and publishers are supposed to prevent.
So, we’d like to honor today a publisher that excelled in its role of keeper of the cultural heritage. A university publisher that has deliberately made a place for itself in the world of trade as the curator of consistently wonderful books in several special markets. This university press not only publishes scholarly work, fine translation, classic reprints, and regional fiction and poetry, but it has made a name for itself in the categories of memoir, combined with history and travel, and in sports.
This publisher fulfills its roles of editor and curator in a way that makes them indispensable in libraries and bookstores. Whomever or whatever they choose to look at, to listen to, to get to the bottom of, is important or beautiful or entertaining, and always, always enduring. At ForeWord, we are always excited to receive a new catalog from them because we’ve discovered over the years that if they’ve chosen to publish a book, then it is surely a contribution to the world library, not just another wet noodle.
Please join us in recognizing the University of Nebraska Press as the 2008 ForeWord Magazine Independent Publisher of the Year.
As Picture Perfect begins, it is daybreak in downtown L.A. A woman suffering from amnesia is taken in by an officer new to the L.A. police force, after he finds her wandering aimlessly near a graveyard. Days later, when her husband comes to claim her at the police station, no one is more stunned than Cassie Barrett to learn that not only is she a renowned anthropologist, but she is married to Hollywood's leading man, Alex Rivers.
Wollie Shelley isn't happy about taking the job as a "social coach" at MediaRex, but the FBI makes her an offer she can't refuse. If she agrees to infiltrate the company, they'll guarantee that her schizophrenic brother will have a home at the federally subsidized halfway house he's come to love.
So Wollie launches into teaching three foreign celebrities how to cope with the customs of Beverly Hills, improve their English, and become Oprah-ready. And when a coyote-chewed corpse appears in the MediaRex compound, Wollie realizes that her colleagues are concealing some serious secrets of their own.
With her latest work, Elinor Lipman expertly serves up her usual delicious dish of entertainment. When the story opens, the not-so-sunny Sunny Batten has just received news that causes her to be even more morose than usual: her mother, Margaret Batten, has died in a freak accident with Margaret’s alleged fiancĂ©, Miles Finn. Thus Sunny returns to the small New Hampshire town of King George and to the charity bungalow on the edge of the country club’s golf course where Margaret raised Sunny by herself. While at the funeral, Sunny catches her first glimpse of the brash Fletcher Finn, Miles Finn’s son and self-described possessor of “a heart of plutonium.” And who can’t help but notice, as they sit together at the graveside, the resemblance between Sunny and Fletcher, “the flagrant display, wherever one looked, of Miles Finn’s genes” [p. 79]?
Bestselling author David Sedaris will read from his latest book, When You Are Engulfed in Flames, at 7 p.m. June 20 at the University Bookstore. He will sign copies of all his titles after the reading. Come early to get a good seat, and enjoy the stand-up comedy of Scott Muilenburg, Cody Hustak, Ryan Cownie, Joe Choi and Christian Stokes. Comedy begins at 2:30 p.m. For more information contact the store at 472-7300.Link to NYTimes review of When You Are Engulfed in Flames